In Acres of Walls, Johanna Barron presents the first images from her efforts — using the Freedom of Information Act — to access and re-create a collection of abstract paintings that hang in the original CIA headquarters. Barron’s re-creation includes the only images released by the CIA over the years, rendered in three-quarter scale.
Also shown are the many FOIA denials; appeals; redacted pages and her correspondences with historians; curators; museums; politicians; and scientists among others. Following an interest in the CIAʼs covert operations during the Cold War, which supported and used art as a “cultural weapon” against the Soviet Union and communism, Barron’s work is part of a larger project about art in government agencies and tests the FOIA against government transparency. It complicates a conversation about CIA history and its effect on the trajectory of the art world, as well as explores a gray area of art as information, creating a visual reference to the FIOA process.
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